When Julio had called that night he did not do so looking for company or good humour for he sought none and received neither as the weary and irritable Stewart, strewn in paint and disdain, quickly donned a suit to cover the kaleidoscope marks on his chest, pushed out of his apartment to go to dinner. They sat in his favourite London café not long before the wind dropped and the heat began to persist. They dropped their blazers onto the backs of their chairs. Buttons popped every few minutes until both sat lounged in the wrought iron garden chairs, looking a mix between Roman nobles and dogs, parched and exhausted. They traded their meal for ice cream. Nothing could quite sober them from the heat, however.
Upon returning, a warning rumbling around his ears that the people who wanted the Van Gogh would not wait much longer, Stewart had sought to wash it all from his mind. In stripping back down to his boxers, nigh bear as bones once more, the paint could return to his skin and the music could wash through him like the restless breeze that had ceased to exist and he would paint. He had to. It was not a voluntary thing anymore and though precision was still important, the flippant scrape of his brush across the canvas informed the ever watching Caravaggio that the base colours would come first, then the detail. They’d never know.
At times like these, he was much better suited to being perched on a high stool with clay between his fingers, moulding out thighs or, more often than not, the intimate quarters of the David. He loved the feeling of the substance so unlike flesh being created into it under his gentle guidance. He adored the way all of a sudden with a pinch of fingers and the drawing of his thumbs over cheeks there were bones, the bridge of a nose, large, expressive eyes and a slight smirk to a pair of rosebud lips. Even more precision was required when it was marble but he took even more out of it, even more joy.
A small knock on the door, imperceptible by his ear but indicative by the way he sat the cat move in the reflection of one of the panels of the old, oil lamp he was using to get the light right, settled Stewart immediately. He dropped the brush, letting it spit blue paint onto the table, and set the palette down with a shard more care. He then tossed his hand through his hair, spreading a slither of blue through it that made the cat snort and him despair. He determined that blue in his hair – navy, in fact, - would be the least of his troubles given he was covered in it amongst other colours and was going to answer the door one piece of fabric away from being utterly naked.
He’d done worse.
Tripping absently over one of the extended legs of the dining chairs, he stumbled through the apartment, flicking out his finger to turn down the volume of the music before reaching the door. His hand grasped awkwardly at the rounded doorknob and he opened the door, the door chain whining at him. His eyes widened as he caught sight of who was there. He’d expected Julio, in truth, a man who would know the chain was there because Stewart was done for the day rather than for fear of being attacked via his front door. It was an age old signal of theirs – better than a sock on the door and subtler to boot: leave. me. alone.
For the sake of Lily Potter, however, that rule could be bent. It was only a guideline, really. Bringing the door to, Stewart pulled off the chain and threw the door open wide once more, the chain banging around the back and hitting out at the wall, the handle doing much of the same. There was a nice dent forming in the wall there now and he was waiting, just waiting, for it to get bad enough for the paint he intended to put in there to look really very interesting indeed.
She was shivering.
Stewart stepped forward, guiding his hands to her arms. He rubbed his palms across the skin, brushing away the goose bumps that had sprung up there. They returned as he took his hands to a next patch of skin but he didn’t mind too much. She, ironically, was trussed up, had no reason to be cold while he stood in nothing, his skin feeling like molten lava was erupting from magma beneath his pores.
“Come in, love,” he murmured, sliding his hands down to hers, his fingers looping about her smaller, narrower, daintier ones. He stepped back, his feet dancing from the wood to the rug that was in his hall simply because he had no idea where else to put it. He kicked the door shut behind her and the sudden chill that had been about the door was gone, replaced back with the impossible heat that had consumed his apartment, to the benefit of Lily, ironically.
“Hey, right, okay. We’ll talk about this but why don’t I get you something to wear that’s a bit more comfy and something to drink? I can do hot cocoa but I’m thinking a bottle of rum. Cold but it’ll warm you through. Best of both.”
These were the times when Stewart felt like his grandmother, when once again he (or rather, she as it was her role) was fluttering about someone, trying to fix the cosmetic bits, to make someone a little superficially happier and more comfortable before dealing with the difficult bits. She’d always done it for him. When he used to come home, grumpy and frustrated she’d make him up a glass of wine and would pull a soft, loose cotton shirt over his head, replace the shorts he’d wear with ones for bed and she’d have him sit on the sofa with her to talk, to drink the wine and to work through the problem with him. It always made him feel better, even if it was eventually and not right away.
Stewart smiled briefly before turning on his heel and hurrying past the sofa, sliding around past the Van Gogh erected opposite the dining table in front of the window seat, and he breezed through the wide arch-way (he’d gotten rid of the door) into his bedroom which still didn’t really do much. He lived in the living room and the dining room and often slept on the sofa in those few hours he allowed himself to get a bit of sleep. The bedroom still had boxes here and there but they had been covered over by bright material, another monument to a kind of art and it looked something like a Bollywood film – bright and garish. The bed was covered in sheets, also, scattered with pillows of all covers with a heavy blanket folded over the footboard. He should have loved it in there really with the balcony to the near end by the door and the large bathroom at the opposite but he couldn’t lest he had someone home with intent on using the bed. He had too much that pressed on him beyond the bedroom. It wasn’t a heaven for him.
It was, however, where he kept all of his clothes.
From the large dresser pressed against the wall by the bathroom door, Stewart sourced an old t-shirt that bore the regalia of the Sex Pistols on it. He also took out a freshly washed pair of boxer shorts. He wasn’t going to pretend he had any trousers that would fit her and his sweatpants were locked up in a box somewhere underneath the offensive exhibition to the rainbow so he couldn’t get them for her, either. He bit his lip, turning over the dotty pair of shorts – colourful also – and deemed them alright. They were near-new. Worn once, washed twice. They smelt of lavender because it was what the laundrette downstairs stocked and he wasn’t one to argue. It was nice, fresh smelling and he felt infinitely better about giving the clothes to Lily knowing they smelt sensible and still bizarrely of him rather than of him and something infinitely odd he couldn’t account for.
“Here we are,” Stewart returned to the living room-dining room-kitchen that was his main living area. He held out the clothes for Lily and once she took them he stole up the ones he’d abandoned himself on the sofa, throwing them at the wicker hamper that was beside the bedroom arch. The clothes rumbled inside, bouncing down off of the wall, and he smiled sheepishly before moving to the kitchen area, taking the rum out of the cool cupboard underneath the counter.
“Go get comfy, Lils,” he said, taking two tall glasses out of one of the wall cupboards. “Bathroom is through the bedroom if you wanna wash your face or anything. Not that you need to, you just might so…”
Shut up Sprout, he thought derisively as he sloshed the rum liberally into the glasses. He brought the bottle to his lips after, taking a long swig before pouring a little out into one of the shot glasses that had been on the draining board waiting to be cleaned up. He then left the rum on the side and found the cola from the fridge, topping up the drinks before taking all three to the dining table. To the cat he gave the shot glass and Caravaggio bounced up, moving more when he realised he had a drink than Stewart ever saw him move and he smoothed the cat’s fur back as the animal began to drink. He was convinced there was Kneazle in Caravaggio. Or perhaps he was an animagus. Whatever it was, he wasn’t a normal cat. There was something very wizard like about him.
Stewart set the two glasses down on the table and lifted up the paint brush, sitting it on the palette. He turned and stared once more at the Van Gogh. His furious slosh of paint across the canvas had gotten him his base colour. He leaned forward and ran his fingers of the heads of the soft hair brushes, knowing he’d need a narrower one for the detail. Yet, as he thought about that it occurred to him he had someone in his house who didn’t know what he did, who assumed he was just a Daily Prophet reporter. It was very different to Marie and to a degree his mother who he assumed did know but didn’t deign to tell him she knew and/or did not know quite what he did with all of the replicas he made. She would have seen it, or would imminently if she hadn’t already. Stewart took a mouthful of his rum and coke, grateful for the strength of it. He couldn’t get rid of the Van Gogh now. If it came up, which he desperately hoped it wouldn’t, then he’d say something, anything other than “I forge paintings and sell them for millions via buyers of course, if I did it I’d be in a mansion but yeah.’ No, that wasn’t going to happen.
“Okay,” he said, deciding to ignore the Van Gogh, as Lily returned. “What’s happened? Something has happened because you are in my flat which means something really bloody awful has happened. We can leave it at that or we can embellish – doesn’t matter. This is Caravaggio,” he patted the cat, “he’s a raging alcoholic.”