"Well, of course, Walburga is here. Someone had to rescue that old bat when the house burned down. I'll go get her, and maybe we can have a word, if she'll stop screaming. She does seem to sort of not be revolted by Orin, though, if worse comes to worse. Walburga doesn't seem to like anyone, really. Cover your ears." He went upstairs and he got Walburga's portrait and brought it back downstairs, with Walburga continuing, as she always did, to scream obscenities at him and telling him he was an old letch that liked to 'handle' fine women like herself.
"Look, you old bat," Michael scowled at her, "If you don't shut it right now, I'll hex your lips off you so that all you can do is grunt at me. And that, certainly, is not a noise that a 'fine woman would be caught dead doing--which, incidently, you are. Dead. Dead, dead, dead..." She started to scream obscenities at her again. "God, what a banshee, that one is," Michael sighed as the kettle started to scream too. Michael headed to the kitchen. "Tea?" he asked Jack and the man with him.
Orin came through from the garden because he had heard Walburga--again.
"Hi. I'm Orin," he said to the two strangers in the house. He went to the portrait. "There, there, my dear Mrs. Black," he said soothingly. It was more than obvious that he was purposely being overdramatic with her simply to get her to stop screaming.
"Walburga," Michael said, when she stopped screaming, "tell them about that weird woman who's been pestering you." He looked at Jack. "I thought she was telling Orin a story, some weird memory she had."
"She's not a proper woman, that one," Walburga said, "Coming into a woman's portrait to try to break into a bunch of other portraits. She's up to no good, I'm sure of it."