"Together is fine, at least until I see otherwise," Michael said. "We have a short walk yet, at any rate." He looked around and found a tourist brochure laying on the ground, and he picked it up. It had a little map of the neighborhood on the back, so he handed it to Brant. "Can you make like a tourist and look lost? I can pass off looking lost, I think, so let's see how we do and try to wander in the right direction."
He headed out of the alley, looking about to get his bearings and then started casually down the street looking around as if it was the first time he'd been there. Partway down the street, someone bumped into Michael, and Michael stopped and turned to apologize, seeing an old friend was the one who had bumped into him.
"You old dog!" his friend exclaimed. "Decided to take a holiday finally, did you?"
"I did," Michael said. "Good to see you."
"You and your friend going to the theater while you're here?"
"Perhaps. Is it good?"
"Horrid, but I have a pair of tickets I'm dying to get rid of. You'd be doing me a favor," he handed Michael a two tickets. "The second showing is better. Make sure the usher gets you to the right seats, though. These were good seats even if they were cheap."
"I'll keep it in mind," Michael smiled, looking over the ticket and then pocketing them in his jacket.
"Come 'round after the performance for a pint!"
"We might at that. Thank you," Michael smiled. The two friends shook hands, and Michael's friend walked away. Michael looked at Brant. "We know the way in," Michael said quietly. "He's an old mate of mine, and he likes very expensive knickknacks. These 'tickets' will show us exactly how to get in. Second performance means the secondary gate. He means it to be the emergency entrance. The rest of the information is in the coaded seat information on the tickets. If we follow it exactly, we should do well. I presume my ticket gets us in, and yours gets us out--or some such thing. We'll know more when we get there." He started to walk again towards the museum.