"My concern about the muggles is that suddenly we've got folks that know there's a whole other world, and they're starting to get some sort of magical insights without direction or guidance. And that's dangerous. Its virtually putting weaponry into ignorant hands.
"I can't say that I approve of how they got this knowledge or that they're here--or coming. But--I think we'll have a bigger issue if they're running about, confused, untrained, ignorant, no knowledge or control of their abilities, completely shellshocked,....who knows what hell they'll cause? Seems to me we need to offer them some support and guidance to keep them from buggaring up themselves--or us. I'd like them not to make a bigger mess than things already are."
He sighed. He had no idea whether this was a temporary business or permanent. "If its temporary, we can obliviate them and they'll go back to normal. If its permanent, I don't see a choice but to try to cure them if we can, or, if we can't, to train them from hurting themselves or anyone else."
"And, then I'll have to deal probably with the Death Eaters, who, I presume, will go mentally off their rails with that whole pureblood supremacy business which, while I understand is important to them, is something I wish they'd stick in some place where the sun does not shine for the moment.
Shacklebolt had brought up valid and critical points about the mirror. "I've seen the mirror-or what was left of it. He didn't make it. Its an antique. Its a Parisian ladies dressing mirror that dates to the Victorian era, from the very late 1800's, maybe as late as approximately 1900, give or take a few years. Its silver, with an unual, elaborate tetradecagon shape, supported by a silver column on each side so that it could sit independently on a dressing table. Each column has a somewhat Doric design, and at the top are these rather unusual jeweled, wired sphere shaped bouquets of moonstones--designed to sort of look like explosions of stars. And the whole thing is set with hundreds of moonstones and small diamonds. I can trace one that looks almost exactly like it to the Paris exhibition of 1900, but, I doubt they're the same.
"Its beautiful, yes, but certainly not Dumbledore's tastes. Its far too early for him to create. But your theory that he sealed some magic in it is certainly sound. Why he chose that mirror we may never know. Except maybe he thought it ostentatious enough that no one would bother with it. I don't know. Nevertheless, it does appear they've released something. And it looks like all of humanity may be better if we can undo the damage somehow. Hell, we can't even find the pieces of the glass. When the glass broke, the shards of the mirror just disappeared. Not a one left. They've just literally disappeared. It may be that if we can get the pieces back, we can start to put things right. You're welcome to see the frame of the mirror if you like. I do have a picture of the mirror from the Paris Exposition that looks like the one in the Ministry archives." He got it out of his jacket pocket and unfolded it and handed it to Shacklebolt.
Antique Ladies Dressing Mirror from the Department of Mysteries (ooc: i included this so you can get a better idea of what Robert's trying to describe)
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